“Best Drama”

★★★★

“We knew we were in for an entertaining watch and DI.Y. didn’t disappoint!”

With an opening credit sequence inspired by 1960s classic cinema matched with a suitable 1.66:1 aspect ratio, we knew we were in for an entertaining watch and DI.Y. didn’t disappoint! What started off as a warm and friendly start, soon takes a turn as we meet the films protagonist Joseph, a lonely floor mopper working late nights in a corner hardware store.

What stands out first is how director George Dickson quickly sets a unique tone and atmosphere for this film which makes it stand out amongst other short films attempting to do the same. The dialogue is natural and not overused for the sake of it, instead Dickson lets the visuals tell the story in a more impacting way. There is a real sense of focus and understanding within this film in that the director clearly knew what they wanted. For someone so young, it’s impressive to see such a film. We hope to see more of George’ work in the future.

The cinematography is meticulously captured by Connor Lovett who manages to create a dramatic and cinematic look on a small budget. The use of shots shows a great attention to detail and understanding of filmmaking. The colour grade was on point and provided a cinematic look which wouldn’t be out of place on the silver screen.

Let’s not forget the excellent art direction and use of props which helps to create a real world approach to the film which carries over into each scene. The design of Joseph’ Grandmothers apartment was particularly impressive and continued the idea of feeling ‘trapped’ which he felt in his place of work.

Connor Scott delivers a believable and honest performance as Joseph who you can’t help but sympathise for. He keeps his emotions to his chest and handles every scene with great confidence and experience. His relationship with ‘Evie’ was something you can’t help but root for as there was a real spark between them. Evie played by Teigan Gardham, is excellent and manages to create a real sense of desperation and innocence which makes you pay full attention to when she’s on-screen. When you first meet Evie, you can tell she has a dramatic backstory which Gardham tells with care and attention.

D.I.Y. is an excellent piece which will entertain audiences of all kinds, what’s more is that it’s a student film made on a micro budget which only adds to the superb end result.

— APEX Film Awards