“Soulmate is an excellent example of the pure magic the genre has to offer and what stories can come from it…”

Anna, a lonely computer coder, has been nurturing an illegal romance with an AI in a computer simulation for the past six months. When her company uncovers the affair, she’s forced into a desperate battle to save her precious relationship.

We’re always a little biased with Sci-Fi films being the best genre, and it’s because of films like writer/director Richard Fenwick’ Soulmate that we think so. With the rapid surge of AI technology in everyday life, it’s only fitting to tell such a story with dramatic consequences. Fenwick’ clear vision and meticulous attention to detail crafts a superb film with captivating results.

We’re delighted to see Mandeep Dhillon (CSI: Vegas, Avoidance, Afterlife) in a lead role where she can expand on her talent as an actress. Dhillon plays the role of Anna Hayes who is already quite far down the rabbit hole as the film begins and we soon learn of her motivations as we’re introduced to Neil played by Joe Dempsie (Game of Thrones, Love, Death & Robots, This is England '86 & '90). Both Dhillon and Dempsie have immediate chemistry onscreen and was a solid casting choice. Nothing feels forced between them and comes across as a well nurtured and genuine relationship with plenty of history. It’s an great foundation to raise the stakes of the film and get us invested in Anna’ journey to hold on to who she loves.

The VFX and infographics used throughout the film are of a high standard and well thought out, creating a sense of realism needed for the film to work. David Wright’ cinematography keeps up with the high concept story and top level performances, making full use of the locations and distinct theme. Subtle references to the overarching Synaptic: Beyond AI company helps to place us into the not so distant future. The world Fenwick has created is clear and well fleshed out.

What’s also impressive is the script as it has many twists and turns as well as a few nail biting moments. Fenwick drops us into the story almost midway through which is a great way for making the audience guess. Purposeful dialogue and lack of needless exposition help to craft a dynamic story you pay attention to. The film manages to do a lot with very little, focussing on just two principle cast yet still builds a vast environment.

Whilst many audiences think Sci-Fi is nothing but spaceship battles set on far off planets, Soulmate is an excellent example of the pure magic the genre has to offer and what stories can come from it…

— APEX Film Awards