Penélope

“There seems to be a sense of empowerment in the writing by expressing deep desires, challenges and real world imaginations…”

In a deserted rural road, a lone woman waits for her friends who rescue her in a camper van. Embarking on a journey, they share intimate conversations, confronting the complexity of the female universe in the 21st century.

Director Margarida Vila-nova takes on a compelling story full of gripping ideas with profound realisations. It’s great to see a story centred around women not exclusively in their 20s who have not yet had the time to experience much of adult life. Instead, Vila-nova captures a wonderful take on life not often portrayed on the big screen and in doing so has the chance to expand on more substance for each character.

Starting with the writing, it’s well structured without needless exposition whilst keeping a steady pace. All four of the characters come across as very authentic thanks to the realistic dialogue and feel connected from the start. There seems to be a sense of empowerment in the writing by expressing deep desires, challenges and real world imaginations.

As we’re introduced to our main character of Zoye plated by Madalena Brandao, we can tell that she’s battling with something on her mind, as the rest of the character’s drive the story forward with Zoye coming along for the ride.

The concept of this film is worth noting as it’s a superb idea. The dreamlike quality of the story can be interpreted in many different ways and allows the viewer to make their own mind up. The camper van felt very much like a vessel crossing over to the other side before making a stop at a cross road where Zoye comes to terms with herself. The idea alone provokes a lot of discussion and was visualised in a purposefully sublime way.

Playing the friends of Zoye we have Benedita Pereira, Mariana Norton and Rita Silvestre all of whom create a familiar and close sisterhood where nothing is kept to themselves. This is where casting really shines as it’s thanks to this group of talented actresses that the story really hits.

The production quality is very good as well, making full use of the stunning location and perfect weather. The cinematography from João Ribeiro is well thought out with plenty of creative choices as a lot of the film plays out in a vehicle which requires an experienced eye. The film had a distinct look about it full of colour and filmic qualities that suited the story. The editing from Grazie Pacheco was well handled and didn’t rush the reflective moments from the cast, allowing time to breathe. This matched with the abstract score from José Bica helped to give the film it’s core.

We were very impressed with this unique drama and recommend it to our viewers if you’re looking for a short but compelling watch…

— APEX Film Awards